The 0.3 (1 Stop) Neutral Density Hard Grad has a tight gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure across...

The 0.3 (1 Stop) Neutral Density Standard reduces the exposure equally across the frame. This increases shutter speeds, blurs movement and allows for effects that can't be produced any other...

The 0.45 (1.5 Stop) Neutral Density Standard reduces the exposure equally across the frame. This increases shutter speeds, blurs movement and allows for effects that can't be produced any other...

The 0.6 (2 Stop) Neutral Density Hard Grad has a tight gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure across...

The 0.6 (2 Stop) Neutral Density Standard reduces the exposure equally across the frame. This increases shutter speeds, blurs movement and allows for effects that can't be produced any other...

The 0.75 (2.5 Stop) Neutral Density Soft Grad has a smooth gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure across...

The 0.75 (2.5 Stop) Neutral Density Standard reduces the exposure equally across the frame. This increases shutter speeds, blurs movement and allows for effects that can't be produced any other...

The 0.9 (3 Stop) Neutral Density Hard Grad has a tight gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure across...

The 1.2 (4 Stop) Neutral Density Hard Grad has a tight gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure across...

The 1.2 (4 Stop) Neutral Density Soft Grad has a smooth gradation between the dark and clear areas of the filter. This allows the photographer to selectively adjust exposure across...

The 1.2 (4 Stop) Neutral Density Standard reduces the exposure equally across the frame. This increases shutter speeds, blurs movement and allows for effects that can't be produced any other...

The 105mm Accessory Ring from LEE Filters will mount on the front of the LEE Foundation Kit (100mm filter holder) and allows the use of 105mm threaded accessories such as the 105mm Circular...

Original LEE Filters 105mm Circular Polariser screw-in is designed for the 100mm Foundation kit holder, 105mm Front holder Accessory ring is required to attach it - found here. This filter can...

Original LEE Filters 105mm Landscape Polariser screw-in is designed for the 100mm Foundation Kit holder, 105mm Front holder Accessory ring is required to attach it - found here. The Polariser...

Original LEE Filters 105mm Linear Polariser screw-in is designed for the 100mm Foundation Kit Holder, also requires 105mm Front holder Accessory Ring to attach it - found here. This filter can...

Cardboard Mounts designed to hold 75mm Camera Polyester Filters. Self adhesive Pack of 10

CC05 Magenta Polyester camera filter Size: 100mm x 100mm

CC25 Cyan Polyester camera filter Size: 100mm x 100mm

The ClearLEE Filter Cleaning Cloth, when used with ClearLEE Filter Wash (available separately), will help ensure that your filters are always clean and ready for use.   A dirty filter...

Combining a 50ml ClearLEE Filter Wash and a special microfibre cloth, this gives you everything needed to ensure your filters clean. A dirty filter can cause areas of softness in your...

ClearLEE Filter Wash in this economic 300ml trigger pack, when combined with the ClearLEE Filter Cloth (available separately) gives you everything you need in order to safely clean your filters....

LEE HT009 Pale Amber Gold High Temperature Lighting Gel.  Perfect warm front light for any skin tone. LEE High Temperature filters are designed to produce a range of colour effects...

LEE HT010 Medium Yellow High Temperature Lighting Gel. A pure bright yellow. Great for special effects and accents. Use with caution in acting areas. LEE High Temperature filters are designed to...

LEE HT022 Dark Amber High Temperature Lighting Gel.  A good backlight. LEE High Temperature filters are designed to produce a range of colour effects and are more resilient to the...

LEE HT027 Medium Red High Temperature Lighting Gel. Good for cyclorama lighting, side lighting and footlights. Also good for colour mixing. LEE High Temperature filters are designed to produce a range...

LEE HT115 Peacock Blue High Temperature Lighting Gel.  A pleasing effect on set Good for cyclorama and backlighting (e.g. ice rinks, galas, etc). LEE High Temperature filters are designed to produce...

LEE HT715 Cabana Blue High Temperature Lighting Gel.  A deep blue that still has enough transmission to work encouragingly well on television. LEE High Temperature filters are designed to produce...

LEE HT729 Scuba Blue High Temperature Lighting Gel. Used in musical performances for a rear colour wash or set lighting. LEE High Temperature filters are designed to produce a range of...

LEE 002 Rose Pink Lighting Gel. Strong pink wash, good for cycloramas. Full technical specifications for 002 Rose Pink can be found here  Manufactured in the following sizes; Half Sheet - 0.53m...

LEE 003 Lavender Tint Lighting Gel. Subtle cool wash for stage and studio lighting. Full technical specifications for 003 Lavender Tint can be found here. Manufactured in the following sizes; Half...

LEE 004 Medium Bastard Amber Lighting Gel. Naturally enhances skin tones. Full technical specifications for 004 Medium Bastard Amber can be found here Manufactured in the following sizes; Half Sheet -...

LEE 007 Pale Yellow Lighting Gel. Sunlight effect. Full technical specifications for 007 Pale Yellow can be found here. Manufactured in the following sizes; Half Sheet - 0.53m x 0.61m (21"...

LEE 008 Dark Salmon Lighting Gel. Enhances dark skin tones, sunsets, ballroom sets. Full technical specifications for 009 Dark Salmon can be found here Manufactured in the following sizes; Half Sheet -...

LEE 009 Pale Amber Gold Lighting Gel. Perfect warm front light for any skin tone. Full technical specifications for 009 Pale Amber Gold can be found here Manufactured in the following sizes;...

LEE 010 Medium Yellow Lighting Gel. A pure bright yellow. Great for special effects and accents. Use with caution in acting areas. Full technical specifications for 010 Medium Yellow can be...

LEE 013 Straw Tint Lighting Gel. Warmer than other straw colours. A good sunlight effect when used in contrast with ambers and blues. Full technical specifications for 013 Straw Tint can...

LEE 015 Deep Straw Lighting Gel.  A warm amber light. Good for effects such as candlelight and fire. Full technical specifications for 015 Deep Straw can be found here Manufactured in the following...

LEE 017 Surprise Peach Lighting Gel.  Good for skin tones and creating a moody lighting effect. Full technical specifications for 017 Surprise Peach can be found here Manufactured in the following sizes; Half...

LEE 019 Fire Lighting Gel.  A strong red/amber. Great for fire effects. Full technical specifications for 019 Fire can be found here Manufactured in the following sizes; Half Sheet - 0.53m x 0.61m...

LEE 020 Medium Amber Lighting Gel. Good for afternoon sunlight and candlelight. Also great for side lighting. Full technical specifications for 020 Medium Amber can be found here Manufactured in the following...

LEE 021 Gold Amber Lighting Gel. Great for sunsets, cyclorama lighting and fire effects. Full technical specifications for 021 Gold Amber can be found here  Manufactured in the following sizes;...

LEE 022 Dark Amber Lighting Gel. A good backlight. Full technical specifications for 022 Dark Amber can be found here Manufactured in the following sizes; Half Sheet - 0.53m x...

LEE 024 Scarlet Lighting Gel. Great for pantomimes, ballroom sets and fire effects. Full technical specifications for 024 Scarlet can be found here Manufactured in the following sizes; Half Sheet...

LEE 025 Sunset Red Lighting Gel. A good warm stage wash, TV studio wash or sunset effect. Full technical specifications for 025 Sunset Red can be found here Manufactured in...

LEE 026 Bright Red Lighting Gel. A vibrant red, good for cyclorama lighting. Full technical specifications for 026 Bright Red can be found here Manufactured in the following sizes; Half...

LEE 027 Medium Red Lighting Gel. Good for cyclorama lighting, side lighting and footlights. Also good for colour mixing. Full technical specifications for 027 Medium Red can be found here Manufactured...

LEE 029 Plasa Red Lighting Gel.  Good for fire effects, musicals and cycloramas. Full technical specifications for 029 Plasa Red can be found here Manufactured in the following sizes; Half Sheet - 0.53m x...

LEE 035 Light Pink Lighting Gel. A warm wash good for musical reviews. Full technical specifications for 035 Light Pink can be found here Manufactured in the following sizes; Half...

LEE 036 Medium Pink Lighting Gel. Good for general washes and side lighting. Full technical specifications for 036 Medium Pink can be found here Manufactured in the following sizes; Half...

LEE 039 Pink Carnation. Cool pastel pink, good for backlighting and general colourwash. Manufactured in the following sizes Full Sheet - 0.53m x 1.22m (21" x 48")

LEE 046 Dark Magenta Lighting Gel.  A very strong pink, good for backlighting. Full technical specifications for046 Dark Magenta can be found here  Manufactured in the following sizes; Half Sheet - 0.53m...

LEE 048 Rose Purple Lighting Gel. Good for emulating evening. Great backlight. Full technical specifications for 048 Rose Purple can be found here Manufactured in the following sizes; Half Sheet -...

LEE 049 Medium Purple Lighting Gel.  A strong cheerful glow, good for cycloramas and pantomimes. Full technical specifications for 049 Medium Purple can be found here  Manufactured in the following sizes; Half Sheet...